November 2011
10 posts
30 tags
13 tags
30 tags
Excerpt from text by Nicola Celia Wright
Oliver Braid’s exhibition at first appears to make similarly kitschy assertions in its pastel walls and chintzy flowering plinths. The saccharine surroundings, although designed by one of over thirty collaborators invited into the project, indicate the consenting, prodigiously positive and inclusive nature of the work. Braid’s project searches for pleasure in failure, appraises optimism and...
30 tags
30 tags
30 tags
30 tags
9 tags
14 tags
30 tags